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The writer is the author of “Sisters in the Resistance: How Women Fought to Free France, 1940-1945.” Since the Home Hub has a screen, you can use it to watch videos on YouTube. If you want to prevent your kids from watching certain kinds of videos, you can set up filters.

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Historical re-creations are not new — Trotsky’s clothes still hang in a closet in his house in Mexico City, as if he’s just left to walk his dog — but Bourgeois’s archive is more than just costume. Gorovoy’s approach to maintaining her archives is entirely interconnected in its understanding — it allows for the idea that her leisure reading material (the main bedroom still has three copies of “Dianetics”) or personal collection of photographs, notebooks, agendas and correspondence is the key to understanding the artist. Rifle through her kitchen cupboards long enough and perhaps you will unlock the truth of her existence. It’s an argument that acknowledges our contemporary obsession with identity and authenticity in today’s political and cultural discussions — as well as the idea that an artist’s intent can be discerned by who and what she was as much as what she makes. As data and our digital existence continue to expand, where every keystroke and every step of our lives can be counted and saved, objects themselves have also become suffused with a curious preciousness, a value both sentimental and otherwise. The Forester is one of Subaru's most popular models in the US, and just last month, the automaker said it sold its two-millionth Forester in the country.